Wednesday 22 December 2010

Outside of my office window 2

Snow!

The drive in to work was interesting as the back roads had not been gitted.  Glad I had remembered to put my camera into the boot of the car.

I saw waxwings for the first time during the last spell of heavy frosts, but did not have my camera with me.  Per the RSPB website these are not common.  http://www.rspb.org.uk/wildlife/birdguide/name/w/waxwing/index.aspx 

Today I was treated to a small flock of 20 birds spending about 2 hours feeding on the Rowan tree outside of my office window.  The flock sat in a taller tree just down the road and small groups would take it in turns to come and feed.

The images were taken using a 40-150mm lens at 150mm.  As the camera is a four-thirds format this is the equivalent of 300mm on a 35mm camera.  Taken through an open window.

150mm, 1/250th, F5.6, ISO200

150mm, 1/125th, F8, ISO200

150mm, 1/250th, F8, ISO200

150mm, 1/125th, F11, ISO200

150mm, 1/125th, F11, ISO200

Tuesday 7 December 2010

Outside of my office window

This morning was quite special as I drove to work.  The muted colours as the sun rose followed by crisp blue skies.  What a pity the best is saved until you cannot stop.

Images taken from my office window.  Thought I would try with a long lens - exposures taken between 100-150mm.  As I am using a four-thirds system this gives an equivalint to 200-300mm with a 35mm camera.



Monday 6 December 2010

Snow and mist at the Gravel Pit

Sunday - hoping for a bright clear day with some sun to make the snow and frost glisten.  Oh well fog and mist will have to do. These are from the same walking route that I took for the images at http://21ian23.blogspot.com/2010/10/dawn-at-hilton-gravel-pits-sssi.html with similar health and safety concerns.  Need to take additional care because of the snow and cold.

All appear muted, but that was what the day was like, even at it's highest the sun never broke through. everything very grey.

20mm, 1/30th, F8, ISO100

35mm, 1/60th, F8, ISO100

15mm, 1/30th, F8, ISO100

33mm, 1/30th, F8, ISO100
The camera sensor has actually picked up some detail from the far shore of the frozen lake - more than could be seen with the eye. 

15mm, 1/30th, F8, ISO100

36mm, 1/30th, F8, ISO100


26mm, 1/30th, F5.6, ISO400

Standing still long enough raised a level of curiosity among the sheep (that and the cold) which have always been very skittish in the past.

26mm, 1/30th, F5.6, ISO400

17mm, 1/250th, F4, ISO200

Wednesday 1 December 2010

Swad lights

Light Switch on at Swadlincote is an all day event.  During the day I aimed to take reportage style pfotographs hoping to capture something of the event and preperation for the evening.  Later in the evening the aim was to take a series of longer exposures to capture the motion of the fair ground rides so I would be adding a tripod to the equipment.

Photographing in a public place is legal, but does cause some concern so I would wear my work ID so that people could see who I was and that I had something to do with the event.  Based on previous years there was the potential for large crowds so I would need to bear this in mind with regard to heath & safety for both myself and the public.











Sunday 21 November 2010

Formatting

Has anyone else found the formatting on Blogger to be

poor / time consuming / irritating beyond belief?

Words

,lines,

whole paragraphs,

pictures

jumping all over and changing font, size of text


s  p  ac  i   n  g



as


it
feels like it!


,and when,

Friday 19 November 2010

Foggy morning 2 - 19 11 10

...or a walk around Swadlincote.

               
35mm, 1/2Sec, F16, ISO100

It was foggy again this morning as expected - I had checked the forecast.  So in to work early to give me time to walk into Swadlincote.  The aim was to concentrate on the Town hall as a community building for theme 1.  Had planned various ideas, angles, exposures based on feedback about the previous series in the fog, however, as with all great plans of mice and men...
When in position things just did not feel right.  Spent a short while focusing on the new railings outside the building.  These have been installed as part of the redevelopment of the whole market square area.  They are an individual piece designed and created by a local artist/blacksmith. 

Swadlincote Town Hall Railings i
26mm, 1/2Sec, F4.5, ISO100

Strong lines, the black finish emphasised by the dew from the fog settling out on the cold metal, make a good subject in themselves.  Drops of water also provide a reflective surface that catch some of the surrounding colour.  Have used a large aperture to focus on the railings and blur the background, this is aided by the fog.

I have cropped the first of the series so that the railings fall on to the third lines, conforming closely to the rule of thirds. 



Swadlincote Town Hall Railings ii
17mm, 1/15th, F4, ISO100

For the second in the series I have also used the Rule of Thirds to position the railings in the shot.  The background is too close to the subject in tonal range and draws away from the railings themselves, although I like the orange glow provided by the streetlight through the fog.  This could be corrected in Photoshop or similar package to lighten up the background.  Idea is OK, execution could be better.


Swadlincote Town Hall Railings iii
17mm, 1/4th, F4, ISO100

The purpose had been to explore how the town hall related to the changing area in which it is sited.  The focus has ended up being the changing surroundings - literally.  This shot looks as though I have cropped the image around the hall - not actually the case - partly down to exposure - dark subject / light sky + fog and partly wide aperture to provide sharp subject and blur background.




Swadlincote Town Hall Railings iv
18mm, 2sec, F16, ISO100

For the final image of the Town Hall railings I have narrowed the aperture to increase the depth of field. Have sited the camera close to the railings as well to increase the effect of perspective.  The greater depth of field has allowed the entrance to the hall to remain sharp through the railings. 

Political comment?
38mm, 1/2sec, F22 ISO400

This is almost an aside.  I had walked past the Conservative HQ for South Derbyshire, not really paying too much attention as I was on my way to Eureka Park just to see what might be around.  I had to walk back to take this, in the current climate it just made me smile.

It's all about perspective
Last colour
21mm, 1/15th, F4.1, ISO100


I had read an article by Andrew James in the December 2010 edition of Practical Photography magazine about using slower shutter speeds and moving the camera to produce art images of trees.  Not really my thing, but then I had not been able to achieve what I had set out to do so why not?  The recommendation was for F11 aperture and a shutter speed between 1/30th and 1/8th and using a vertical sweep with the camera to produce streaky vertical lines.

I tried a couple of these using the avenue of trees shot above, but I could not get it to work.  In error I let the camera slip around a 1/4 turn instead of a horizontal sweep - the results below are two square crops of the same image.  Have chosen the square as it emphasis' the circular rotation.  Still not really my thing, but surprisingly taken with the result.
17mm, 1/4sec, F11, ISO100




17mm, 1/4sec, F11, ISO100

I share an office with an Arts Officer, he says that I am turning into an "Arts Ponce". 

If you look up "ponce" in the online Urban Dictionary   
www.urbandictionary.com/
it give the definition as:

An individual who attempts to fake having intelligence, class, or culture.
In the US it also takes a bit of a tone for a poser or wannabe, primarily in the punk, ska, or artsy scenes.
Mmmmmmm.......   Harsh, but..............
Everyone's a critic.

Wednesday 17 November 2010

Foggy morning

As part of the background research for this course I came across the work of a photographer called Brassai.  He undertook a projet photographing Paris by night.  The images are all sharp with great attention to detail. I was particularly taken with one image - foggy Paris (1934).

Although not at night the fog on Tuesday morning presented an opportunity to think further about images in difficult conditions. 



Foggy morning, Derby
14mm, 1/30th, F3.5, ISO400 

Strong centreground with detail in forground and back ground; the centre leading away from where the image was taken.




Foggy morning, Derby ii
21mm, 1 Sec, F16, ISO100 

No street lighting; the lights in the shop window have an old fashioned yellow/orange glow.  Strong foreground with the fog blurring bachground detail gives a greater feeling of depth to the image.


Melbourne Pool
14mm, 1/15th, F16, ISO200 

The sun had risen, but not burnt off the fog making the sky very bright behind the subject.  The colour image is almost sepia.


Melbourne Pool ii
17mm, 1/15th, F16, ISO200 



Foggy morning on the way to Leicester
34mm, 1/60th, F16, ISO200 

I wish! (Brassai 1934)