Showing posts with label T2P4. Show all posts
Showing posts with label T2P4. Show all posts

Tuesday, 9 November 2010

Before the game


Small personal project, additional practice; buildings and people.  It has to be before the game, I'm there to watch - perspective in all things.

The aim of this project was to capture images of he industrial structure that is Twickenham as well as images of people connected with the event and the day.  The space will be open public space with large crowds.  Safety concers are general  - traffic, people etc.  Equipment - EP-1, standard lens and circular polorising filter.  Chosen for ease of use, forecast bright conditions and photographing in crowds without drawing too much attention.

Stadium structure       
28mm, F8, 1/60th, ISO 200

Pipeworks           
25mm, F8, 1/60th, ISO 200

Skyline               
26mm, F11, 1/60th, ISO 200

Starters Orders         
39mm, F5.4, 1/30th, ISO 200

Inclusive shade        
42mm, F8, 1/60th, ISO 400

Seated early            
34mm, F5.6, 1/60th, ISO 400

England Expects         
35mm, F5.3, 1/30th, ISO 400

Friday, 22 October 2010

Studio 21 10 10

Last week I spent a short time with Kev in the Studio.  It's not directly related to the themes that I am looking at, but it is certainly something that I have not done before.  A very controlled environment, I can see the attraction.

So this week when there was another opportunity to spend some time in the studio I opted to give it a go.  Still life.

Initial set up was undertaken by Steve. Camera to be used - Canon EOS 5D with 24 - 105mm lens.  Principle lighting from Bowens Esprit 1000W that can be adjusted for strength of light and flash - strong central light grading outward.  Light changed to a barn door light.  Camera and lens synchronised using a cable. The cable can be attached directly to the 5D, other cameras may need a fitting to attache via the hotshoe.

As well as an opportunity to look at still life the session gave me another chance to look at low light photography, taking images of the session - both as a record and as additional practice taking images of people.

My record of the session below.  Less conscious about taking pictures of people.  Almost enjoyed the candid shots, watching from the outside, recording action and process rather than posed images.

Had a conversation with Steve this evening about how I struggle to see pictures of people having avoided it for so long.  His suggestion was to work through a process of photographing themes that I can see, including people within the shot, gradually making them a larger part of the whole.   I am beginning to understand that as I reflect about the studio session.  It's not necessarily about staged shots of people.

Working without flash, using high ISO and large aperture, F3.5, has given rise to a series that almost have a sepia tone with colours emerging in areas caught by the spot.  Small images have good clarity, becoming grainy when viewed at full size resulting from the high ISO 1600-3200.










Studio i

14mm, F3.5, 1/30th, ISO 1600


Studio ii
14mm, F3.5, 1/30th, ISO 1600










Studio iii
14mm, F3.5, 1/30th, ISO 1600



Studio iv
14mm, F3.5, 1/30th, ISO 3200







Studio v
14mm, F3.5, 1/30th, ISO 1600

Studio vi
14mm, F3.5, 1/30th, ISO 1600













As well as  looking at an area of photography this has been a good lesson in using the manual controls of my camera in low light conditions and will be of use with soem of my planned low light sessions outside.

Monday, 18 October 2010

Dawn at Hilton Gravel Pits sssi (17 Oct 2010)

The weather forecast had indicated a clear bright start to the day.  Little or no wind so the chance of mist in the early morning.

I do not possess a tripod yet so hand-held it is (mini-tripod will be taken with me just in case).  Will be using standard kit lens.  The gravel pits at Hilton are an area that I have walked regularly over a number of years, during the summer months I lead a walking group out of the village and we regularly take the route that I intend to walk this morning.  In preparation for this I have taken the camera with me to take a few images that will give me a feel for specific locations within the reserve.  Have only had the camera since June and have undertaken this course to get used to the equipment.  Lighting conditions will be mixed and changing with time.  The image stabilisation within the camera has been turned on to allow me to take hand-held shots down to 1/15th-1/30th with a reasonable outcome.

Forecast for a cold morning so need appropriate clothing.  Although I know the area well it will be necessary to be careful around the water as light will be at a minimum.

On arrival at the old gravel pits the mist had started rising off of the water.  The surrounding trees masked the changes to the sky and light. It was a cold morning, whoever had spent the night fishing must have been freezing.  The break in the trees gave me my first view of the lake and provided a frame for the shot.  The first pinks of the morning sky just appearing over the tree line reflecting in the water.  Need to work out how to expose a shot to record the mist accurately rather than just as a blur.

Pre-dawn fishing
Manual hand-held, resting on fence post
15mm, F11, 1/15th ISO200

Walking to the nature reserve before dawn gave me the opportunity to witness the transformation of the sky from night to day.  The change in colours as the sun rose became spectacular, with gold's almost looking liquid in texture.  Keeping the shutter speed fairly high kept the foreground in silhouette and prevented over exposure of the sky.  The bank of clouds in the east almost looks like a range of hills in the distance, providing a false horizon just below the bottom third line.

Aproaching dawn, Lucas Lane
Manual, hand held
17mm, F4, 1/125th, ISO200


The sun not having risen above the tree line turned the sky golden, reflecting similar colours in the waters surface.  I need a tripod!  I need gloves!  Don't breath near a metal-bodied camera when it's this cold. 

Using the tree line as the horizon allows 2/3rds of the frame for sky, making the most of the colours and cloud that the morning has provided.  There is very little wind resulting in the lake surface being almost like a mirror.  Exposing for the sky allows the use of a relatively small aperture, enhancing the depth of field.

First Light, mist rising
Manual, hand held
18mm, F16, 1/250, ISO200


As the sun rose I stepped back from the shoreline to bring some of the foreground into the shot to act as a frame.  The winch adds to the composition as a reminder that this nature area is actually man-made, the lagoon resulting from many years of gravel extraction.  The increasing light levels increase the strength of the reflections.  The flare around the rising sun was not intended, but I like the effect.

Dawn sun flare
Manual hand held
18mm, F16, 1/250, ISO200

Time to change position.  As I walk through the wood I realise how lucky I am to live near this place, which this morning I have all to myself.  The trees frame the path with both the path and the tree trunks forming lead in lines.  The gold of the sun starting to streak through the trees adds to the atmosphere, enhancing something that would otherwise be fairly ordinary.  Still trying to stick to the rule of thirds, using the waters edge through the trees as the horizon line.
Early morning woodland
Manual hand held
34mm, F8, 1/60th, ISO400

A new waterfront site.  With the sun a little higher the rising mist becomes more evident.  More thought about composition of the shot.  Tree line at 1/3rd, sun through the tree at 1/3rd, good reflection and strong frame with the tree on the bank.  This is one of my favourites from the morning.  Throughout the morning I have struggled to capture the mist over the water accurately - almost there with this one.

Misty morning
Manual, Hand held
15mm, F16, 1/125, ISO200


Took more time to look at the composition in this shot.  Clear use of the rule of thirds with the mushroom itself positioned at the first 1/3 vertical line and the head of the fruit at the junction of the 1st horizontal and vertical lines.  This was the first of three shots. Used the in camera macro programme to help identify potential setting for the following two.  This programme pushed the ISO to 800 which has allowed a very clear image to be taken.  The result of this is an image that is a lot brighter than the ambient, dawn light that was present.

The aperture is set very large, allowing more light to reach the sensor, but more importantly limiting the depth of field, blurring both foreground and background.

The red of the mushroom and the green of the moss stand out well against the autumnal colours of the leaf litter.

I did consider moving some of the leaf litter, but decided against it. 

This is the image as taken; the only change has been to reduce the size of the file to ease uploading.
Fly agaric
Macro programme, mini tripod
26mm, F4.5, 1/13th, ISO800 

First of 2 fully manual shots.  This Fly agaric was about 12 inches away from the previous shot, very close to the bank of the gravel pit itself - you can just about make out the water through the foliage at the top of the shot.  To cut out the relfection it was necessary to get in very close.

The colours in this image are much closer to those on site.  Early morning, Autumn sun, very gold hue.  Have kept the aperture open to narrow the depth of field.  Chose to use an ISO of 200 to increase detail captured.  As I was using a mini-tripod it was possible to use a longer exposure time to make up for the lower ISO.

The reds, greens and golds make the image look very warm, unlike the close to freezing air temperature that was the case.

Fly agaric, woodland floor
Manual, mini tripod
26mm, F4.5, 1/8th, ISO 200


While I liked certain elements of the previous image I wanted to get more detail of the mushroom itself.  Reduced the height of the tripod, moved in closer and reduced the focal length of the lens.  Have increase the detail of the Fly Agaric and the surrounding leaf litter, but lost some of the balance of the composition. 

Fly agaric, woodland floor ii
Manual, mini tripod
19mm, F4, 1/8th, ISO200


Woodland gravel pit
Manual hand held
26mm, F11, 1/125 ISO400 


Misty Dawn reflected
Manual, hand held
18mm, F11, 1/125, ISO100


Woodland walk
Manual, hand held
14mm, F4, 1/60th, ISO200

Willington 10 Oct 2010

Notice board at entry to Willington Gravel Pits nature reserve

21mm, F11, 1/60th ISO200


Initial visit to poential location for images to contribute to theme 2.  Range of location shots taken so that I can plan return visit together with equipment that will be required.

Initial thoughts are that as well as camera and lenses it is likely that a tripod will be required.  The site is open with a lot of water.  If there is any sunlight it is possible that here will be an issue with reflections so it may also be useful to use a polarising filter.